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Jan 4, 2012

By Jef With One F Wednesday, Jan 4 2012

We have a theory, can't prove it or anything, but here it goes: If you're going to be involved in the blues in any way, shape or form, you must be a werewolf. That is how we separate the wheat from the chaff. Case in point, Amplified Heat, made up of three brothers named Ortiz from Austin. You may remember their electrified, heavy blues style from their showing at Summer Fest last year. Simply put, they're feral. They look like animals and play like a horde. Every note comes across like a thrust in mating season, every melody is a howl at the moon. It's like someone took Tony Iommi and everything he did birthing blues into heavy metal and turned it inside out and backwards. Black is white, down is up and beasts rule the earth like the future in 12 Monkeys. Amplified Heat is a trio of werewolves, like all good blues acts, and we're sticking with that theory.

Click to read article: http://www.houstonpress.com/2012-01-05/music/amplified-heat/


May 26, 2011

The Free Press Summer Fest, like most other big music festivals, makes most of its money by securing big name acts. However, there are always plenty of local, smaller name acts just waiting to play their music for as many potential new fans as possible. One such band is Amplified Heat, Austin's very own next-gen psychedelic, heavy blues trio. Jim, Gian and Chris Ortiz (yes, they are brothers) burst onto the Austin scene in the mid-00s. The bros Ortiz have taken what was once an almost generic style of music and dragged it kicking and screaming into the 21st century.



Mar 17, 2011

Three brothers, two sets: Texas Latinate in triplicate. Amplified Heat's third LP, On the Hunt, shotguns the culmination of the little ol' local trio's decade of dues. Houston natives of Colombian decent, Jim (guitar), Chris (drums), and Gian Ortiz (bass) bleed the amps and drum mics open on an early ZZ Top-like dirt warble, the big rusty riffs of "Give It to Me" rising up from some humid metropolis in tempo-quaking destabilization. Bar rock of the basest kind, its back-molar blues and pool cue-cracking rhythms thump 'til eyes turn red. Blackout. Piston boogie "Lost" bundles 1960s/1970s psych blues into a mescaline capsule, while the abrupt gear jam of "What's It Gonna Be Will Be" shifts into Jim Ortiz's Cream-y leads, cutting through a coagulated pool of water moccasins. A vintage tube-amp solo fuses the song's gumbo of Gulf Coast soul exfoliation, "Louisiana Hobo Blues" then slumming in NOLA on an acoustic bang and twang, Jim's gut-string pluck a six-string and vocal garrote. Successor "Ain't Trying To Deny" snorts a rock & roll rail as produced by two-thirds of another local Latin brand, Omar and AJ Vallejo. "Stop, Drop, and Roll" and "Strong Arm" race neck and neck to the closing title track. Blood sport.